Inspired in part by the fatal shooting in New York of a ten-year-old black boy by a white plain-clothes policeman, the audacious centrepiece of Stevie Wonder’s experimental 1973 album was a seven-and-a-half-minute meditation on the brutality of black America: Living for the City…
Taken from the third and final album by Seattle band Pretty Girls Make Graves in 2006, Parade is a jubilant marching song for the emancipation of the workers, a chant to the insistent and uplifting rhythm of two drum kits, brought to life by way of a long-lost 20th Century American playwright whose promising career was stymied by pernicious political paranoia…